Tony’s flipping through the jukebox; it’s almost like the soundtrack of his life, because he sees various songs. No matter what song we picked, I wanted it to be a song that would have been from Tony’s high school years, or his youth. That’s what he would have played. When I wrote it, there were three songs in contention for this last song, and ‘Don’t Stop Believin” was the one that seemed to work the best. I think it’s a really good rock ‘n’ roll song. The music is very important to me in terms of the timing of the scene, the rhythm of the scene. The song dictates part of the pace. And having certain lyrics of the song, and certain instrumental flourishes happen in certain places, dictates what the cuts will be. I directed the scene to fit the song. The singing gets more and more strident and more invested as the song goes along. Musically it starts to build and build into something as it’s just about to release. And when you look at the scene, you get that feeling.